Tuesday, 14 May 2013

Screen Printing - Studio sampling

A few photos in the studio showing some of the sampling stages of the new geometric design I've been printing.

The dye bench in my studio – 4.2 metres long (including sinks). The dyes piled up on the top of the cupboard are natural dyes, Lichen, Cochineal, Madder, Brazilwood, Walnut and many more. The oversize wooden spoons, turned blue from past Indigo vats, are great for dyeing. The old plough came with the building and the rabbit, a first test paper print, keeps a wary eye on everything.

My invaluable dye notebooks and scales.  Industrial Marigold gloves!


















I'm printing onto natural (ie unbleached) linen. Here are some of the colours and first sample prints.


















Two Belfast Sinks, one clean(ish), one dirty for washing dye-pots etc. Dyes/chemicals etc are stored underneath.


















printed sample detail of indigo/brown colourway...after printing the fabrics are steamed to fix the dye, then washed thoroughly to remove excess dye, thickeners etc.

First full screen print.  I designed this geometric stripe originally to be laser etched into cork (as a very fine lined stripe) and I've always thought it would make a great design for fabric. A different variation of it is being (digitally) manufactured in the U.K. currently onto fabric lengths, based upon these samples I've printed in the studio. The design is startlingly modern and yet quite ethnic, even rustic in feel, and I think really successful. My design inspirations originally were influenced by the textiles of the Weiner Werkst├Ątte and also Josef Albers, Formulation: Articulation. (links are to books I have).

These cushions are filled with 100% wool filled pads (http://www.woolsoft.co.uk), which importantly supports the UK wool industry, as well as being far more cosy than feathers. At 30"x 24", they will make a pretty impressive design statement to a room. Designed to be bed-cushions, they are I think, exactly perfect for lazy Sunday mornings!